The Fallen Prince

A fool, a disappointment, and a failure he was labeled. And none were surprised. Never were there any cries for help, nor were there tears of shame and guilt, but it showed. It showed on his face and on the face of many in the court who had to face the consequences of his actions, for that what he did was nothing but a shameful reminder of the man he has become. He himself was now only a distant memory of the person he was meant to be, supposed to be.

Will, or William the VII, was the once much adored prince, and the son to king Alexander, of the great Prussian empire, an empire so esteemed and feared at the same time by its many subjects, allies and enemies. Words of its greatness reached ears all over the four lands of the world. People travelled for months to be a part of this Prussian empire, to experience the life only a country as great as this one, could give. It was a true medieval portrayal of the mythical land of Eden. Gold, jewels, coins and possessions held equal importance as love, respect and glory to its people and rulers. It was a land where God himself would have stepped upon to live and to celebrate his many gifts to the world. But it was a land where life was celebrated not in peace, but in battles, victories and above all, glory.

No true greatness could come without bearing the costs of waging wars and leading battles to even the people you once loved and cared for, and this empire was no different. Allies turn against you, for success prompts hope, and with hope comes the promise of glory. A glory that few achieve, yet all pursue. This pursuit for glory was what led to the battle of the legendary battle of the Bloodstone Valley. A battle fought between Prussia and their onceloved Georgia. It was an imprudent attempt on the part of the Georgian emperors to wage a war on Prussia, yet the smell of success and hope for glory led them to stab their own ally. It wasn’t a feeble attempt, and it showed. King Alexander was all but defeated at the hands of the traitors, as they were to be labeled. Arin, the king of Georgia and the well-known schemer of great sieges had led another great battle. Arin knew that the vast number of archers and cannons in the Prussian empire held no importance in the shallow valley of Bloodstone, for it was ceiled by the low rocks that would render the archers and cannons useless. They could have been useful only if they could get closer to their enemy without getting attacked. But given the power and skill of swords Georgia had at their disposal, they looked frail. But it was the valiance and intelligence of Will that led them to the win they deserved. It was his counter-plan, his swift execution of it that led Prussia out of one of the worst defeats they would have ever faced.

This great win, twelve years ago, seemed like a distant memory. These twelve years had changed a lot in Will. Many thought that maybe the smell of glory got to him too, for he was never the celebrated warrior and the valiant fighter he once was. And this day could just be the final blow in the already shaken reputation of the fallen prince. He had led three jesters into the king’s court. On his many requests, the king listened and gave them the chance to perform and be a part of the biggest gathering the country ever sees. Things didn’t exactly go as Will planned, for he wanted to get his father’s ears back. It turned out one of the jesters 57 was a man sent from the long known enemy-state of Dorth. He had with him a device, a device so small yet so powerful it blasted through a 100 yards of men, stone and steel. Hundreds in the court died, including the great king Alexander. I was a matter of shame that he had to die not at the hands of a great warrior, not by sword or arrow, but by a cheap trick from the wicked men of Dorth. And the blame was to fall to Will, who couldn’t judge the man for who he wasor could have the enterprise to do a proper check on the man before allowing him such royal access.

The kingdom reeled, but it was William who faced the consequences of his own actions the most. He couldn’t believe what he just did. How rash he had been. And being the one the kingdom would now fall to, he couldn’t have been more anxious. But it moved something in him. He realized he had been missing that motivation, that fire of vengeance and that will to make himself the man he was supposed to be. In his horrendous mistake, he realized he wasn’t looking at the world the right way. It wasn’t the world he was supposed to coast through, for the responsibilities on his shoulders were far too much. He yet couldn’t show the people around him, but he knew that it was this blow that would finally become the savior of him. He just might be able to turn around and rectify all the mistakes he once made. That he just might be able to carry and build upon the glories his forefathers achieved. So there stood a new king, the fallen prince, nigh the throne of the greatest empire the world saw, yet a king the empire looked down upon, a king who would have to prove his worth to the world. But would he? Only time could tell.

Student: Palash Siddamsettiwar

汉服:文化的传承

汉服:文化的传承
随着当今城市化的兴起,越来越多的人们逐渐有了新的生活方式但也与传统文化渐行渐远。在年青一代的口中,充斥着高端的游戏,奢华的服饰,关于文化的声音仿佛藏匿在心里的一个的角落无法释放。作为一个有着五千余年历史的古国,无数瑰宝诞生在历史长河中,汉服就是其中最璀璨的瑰宝之一。
纵观汉服的发展,自周朝定型,春秋战国的百花齐放,汉服不在限于一种服装的形式更是一种文化的象征,深衣、胡服呈现了春秋战国的历史,还包含了中华文明“礼”的文化。随着朝代的更迭,汉服在不同阶段蕴含了不同的意义,汉代的庄重典雅、魏晋时期的清秀洒脱、唐朝的俏丽以及宋朝的简朴无不完美的呈现出那一段段历史长河。虽然汉服在清朝时期遭到了打击,以及经历了艰苦战争时期,但幸运的是,在当今这个高速发展的时代,人们逐渐意识到了汉服,传统文化的重要性,尤其在年轻人之中,汉服不再被投以怀疑的目光,并且人们自信于传播传统文化。在许久以前,一部分人经常给予汉服奇装异服的评价,也引起了许多人的质问“为什么日本人穿和服会被理性对待,为什么国人穿自己的传统服饰会被说奇装异服?”。这也恰巧体现出了传统文化在传承中与当今时代发生一些差异,文化的复兴及传承需要理智的,坚持不懈的努力。从汉服运动的兴起,民间人士王乐天先生身着汉服走在街头到汉服贴吧的论坛破万,以及06年汉服被第一次与传统节日相结合参与社会活动至歌曲的创作、海外的影响,到最终官方的认可、奥运会的出席,汉服逐渐找回了属于它的辉煌。15年4月,中国汉服博物馆在青岛成立,在同年,河北美术学院的毕业学生与领导着汉服齐聚毕业典礼,汉服的影响力也扩散在不同领域。最幸运的事,汉服,这个经历了千年的瑰宝被列入了非物质文化遗产,这也寓意着汉服将会延续它的生命,被美好的传承下去。
需要承认的说,随着时代的变化,更符合当今生活的服饰被研发出来,这也导致与众不同意见的碰撞,与否改全面恢复汉服还是让汉服与当今休闲的服装结合起来。我觉得,纵观历史,万物都在不同时期发生着变化,与时代相融合。汉服,我们应取其精华、去其糟粕,与时代相结合,不能盲目的传承及发展。汉服最终可以与当代服装相融合,而不是水火不相容,这需要所有人一起努力,把文化融洽的传承。

你陈吉

脚印(四季版)

脚印(四季版)

四季更替,寒暑易节,四时之景亦有不同。赏春之花,品夏之雨,踏秋之叶,悟冬之雪,在自然中留下串串脚印。

春,花团锦簇,姹紫嫣红,莺歌燕舞,一片欣欣向荣之景。田野上,妈妈拉着我稚嫩的小手,欣赏着一路争奇斗艳的花朵,我仰起头,指着不远处一树盛开的梨花,对妈妈说:“妈妈,我要去看那白花。”妈妈低下头,摸了摸我的头,笑着答应了。于是,在散发着泥土芳香的原野上,留下了两串脚印,大的在前,小的在后,在明媚的春日阳光下闪闪发光。

夏,大雨倾盆,雷电交加,风声怒号,有若吞天沃日之势。柏油路上,妈妈撑着伞送我去钢琴十级考试的考场。雨滴打在伞上,顺着伞的轮廓滑落,似在伞周围形成一圈水帘,妈妈把伞不住地向我这边撑,自己那侧却浸湿在雨中。地上的积水已有厘米深,一脚踩上去,水珠在四周溅起一圈水花。我故作撒娇地对妈妈抱怨道:“妈妈,你踩起的水花溅到我腿上了!”却把身子靠进妈妈的怀中,把伞往妈妈那侧轻扶。在满是积水的柏油路上,留下了两串印在雨水中的脚印,两串脚印并排,延续在路上,似永不分离。

秋,天高气爽,凉风飒飒,落叶满地,万物皆披金黄衣袍。山冈上,妈妈带我漫步在秋日的树林中。午后的阳光透过头上稀疏的枝桠,在满地的落叶上留下细细碎碎斑驳的树影。我挽着妈妈的胳膊,踏着满地金黄的落叶,听着每走过一步脚下枯叶窸窸窣窣作响,和妈妈共同感叹秋天硕果累累的丰收。在铺满落叶的山冈上,留下了两串同行的脚印,在树林里留下一条向着太阳方向的小路。

冬,万籁都寂,白雪纷飞,腊梅独放,宁静祥和笼罩世间。雪地上,我扶着妈妈,欲求踏雪寻梅的意趣。雪白得无暇而纯洁,不远处,一枝腊梅静静绽放,那一点红在一片洁白中格外显眼,这就是“无意苦争春,一任群芳妒”的梅,我一直都在寻找的梅。

在洁白的雪地上,留下了两串脚印,依旧是一前一后,而现在,后面的脚印已经大过了前面的,两串脚印,依旧同在。

任岁月在时钟的滴答声中静静流淌,那两串脚印始终深深地印在我人生之路上,永远不会随时光的风尘而消逝。在人生的四季中,妈妈的脚印一直与我同在,相依相伴,不离不弃。

母亲用脚印,在孩子的人生路上默默烙下印痕,留下永不磨灭的爱的印记,用这爱,在静默中陪伴孩子走过人生的春夏秋冬,共同体味成长的喜悦,收获梦想的果实分享人生的感悟。

一路走来,脚印相伴,感谢有您,我的母亲。

 

张颖慧

Apache Hive-Based Big Data Analysis of HealthCare

The Electronic Health Record (EHR) stores valuable information on
patient records in digital form. The amount of data in the EHR is increasing
due to government mandates and technological innovation. Patient data
are recorded using sensors and medical reports. Given huge amounts of
heterogeneous data in the EHR, there is a need for effective methods to
store and analyze these data for meaningful interpretations. This study
focuses on various analysis techniques for analyzing and retrieving
required information from big data in the EHR. Many Hive queries are
conducted in the Hadoop distributed file system to extract valuable
information. The study also proposes and demonstrates the use of Tableau
as a data analysis technique for effectively deducing valuable information
in the form of visual graphs.

Zhenlin Kan, Xinru Cheng, Seung Hyun Kim,Yuting Jin

The Relationship Between Chinese Calligraphy and Painting

The Relationship Between Chinese Calligraphy and Painting
by
Y. Chi
Chinese calligraphy is an art fundamental to traditional Chinese culture. Chinese calligraphy is closely related to Chinese painting in its development, and its history is as long as that of China itself. Chinese calligraphy expresses thoughts through the beauty of each stroke1 and conveys moral integrity, character, emotions, and esthetic feelings through its presentation and style.2 Calligraphy is not only a practical technique for writing Chinese characters but also a distinct form of Chinese art and a branch of learning.
Chinese calligraphy and painting are closely related. Chinese painting and calligraphy can be distinguished from other arts in that they emphasize motion.3 Chinese painting shares many of the same techniques as Chinese calligraphy, including the use of a brush dipped in black or colored ink. Its sophisticated techniques allow for intricate visuals on rice paper for typically black-and-white works expressing purity, self-reflection, and human nature, among others.4
Combining the art of calligraphy with that of painting produces calligraphy painting. When painting does not quite fully convey the artist’s thoughts or feelings, the artist may add a poem through calligraphy. On the other hand, a specific poem can be the main subject, with painting to fill it with a lyrical mood.5 This suggests that painting, poetry, and calligraphy are deeply related to one another in Chinese culture. And with the artist’s seal, the spirit of Chinese painting is presented in its complete form.6 These three arts combine to express the artist’s feelings more completely than one alone.
The paper discusses the history of Chinese calligraphy and that of Chinese painting, which can be divided into several periods, by focusing on how they are related to each other.