Author: admin

汉服：文化的传承
随着当今城市化的兴起，越来越多的人们逐渐有了新的生活方式但也与传统文化渐行渐远。在年青一代的口中，充斥着高端的游戏，奢华的服饰，关于文化的声音仿佛藏匿在心里的一个的角落无法释放。作为一个有着五千余年历史的古国，无数瑰宝诞生在历史长河中，汉服就是其中最璀璨的瑰宝之一。
纵观汉服的发展，自周朝定型，春秋战国的百花齐放，汉服不在限于一种服装的形式更是一种文化的象征，深衣、胡服呈现了春秋战国的历史，还包含了中华文明“礼”的文化。随着朝代的更迭，汉服在不同阶段蕴含了不同的意义，汉代的庄重典雅、魏晋时期的清秀洒脱、唐朝的俏丽以及宋朝的简朴无不完美的呈现出那一段段历史长河。虽然汉服在清朝时期遭到了打击，以及经历了艰苦战争时期，但幸运的是，在当今这个高速发展的时代，人们逐渐意识到了汉服，传统文化的重要性，尤其在年轻人之中，汉服不再被投以怀疑的目光，并且人们自信于传播传统文化。在许久以前，一部分人经常给予汉服奇装异服的评价，也引起了许多人的质问“为什么日本人穿和服会被理性对待，为什么国人穿自己的传统服饰会被说奇装异服？”。这也恰巧体现出了传统文化在传承中与当今时代发生一些差异，文化的复兴及传承需要理智的，坚持不懈的努力。从汉服运动的兴起，民间人士王乐天先生身着汉服走在街头到汉服贴吧的论坛破万，以及06年汉服被第一次与传统节日相结合参与社会活动至歌曲的创作、海外的影响，到最终官方的认可、奥运会的出席，汉服逐渐找回了属于它的辉煌。15年4月，中国汉服博物馆在青岛成立，在同年，河北美术学院的毕业学生与领导着汉服齐聚毕业典礼，汉服的影响力也扩散在不同领域。最幸运的事，汉服，这个经历了千年的瑰宝被列入了非物质文化遗产，这也寓意着汉服将会延续它的生命，被美好的传承下去。
需要承认的说，随着时代的变化，更符合当今生活的服饰被研发出来，这也导致与众不同意见的碰撞，与否改全面恢复汉服还是让汉服与当今休闲的服装结合起来。我觉得，纵观历史，万物都在不同时期发生着变化，与时代相融合。汉服，我们应取其精华、去其糟粕，与时代相结合，不能盲目的传承及发展。汉服最终可以与当代服装相融合，而不是水火不相容，这需要所有人一起努力，把文化融洽的传承。

你陈吉

The Relationship Between Chinese Calligraphy and Painting
by
Y. Chi
Chinese calligraphy is an art fundamental to traditional Chinese culture. Chinese calligraphy is closely related to Chinese painting in its development, and its history is as long as that of China itself. Chinese calligraphy expresses thoughts through the beauty of each stroke1 and conveys moral integrity, character, emotions, and esthetic feelings through its presentation and style.2 Calligraphy is not only a practical technique for writing Chinese characters but also a distinct form of Chinese art and a branch of learning.
Chinese calligraphy and painting are closely related. Chinese painting and calligraphy can be distinguished from other arts in that they emphasize motion.3 Chinese painting shares many of the same techniques as Chinese calligraphy, including the use of a brush dipped in black or colored ink. Its sophisticated techniques allow for intricate visuals on rice paper for typically black-and-white works expressing purity, self-reflection, and human nature, among others.4
Combining the art of calligraphy with that of painting produces calligraphy painting. When painting does not quite fully convey the artist’s thoughts or feelings, the artist may add a poem through calligraphy. On the other hand, a specific poem can be the main subject, with painting to fill it with a lyrical mood.5 This suggests that painting, poetry, and calligraphy are deeply related to one another in Chinese culture. And with the artist’s seal, the spirit of Chinese painting is presented in its complete form.6 These three arts combine to express the artist’s feelings more completely than one alone.
The paper discusses the history of Chinese calligraphy and that of Chinese painting, which can be divided into several periods, by focusing on how they are related to each other.